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Showing posts with label Phenomenology. Show all posts
Showing posts with label Phenomenology. Show all posts

Tuesday, 6 December 2011

Phenomenology (pt.2)

Trying to understand phenomenology is hard! This is why I wanted to this blog post in two halves. This analytical approach isn't something you should try to do on it's own, it is better to use this approach to push your analysis into another analytical approach, such as semiotics. 

To understand this approach, you must learn how to use it. If you are analysing an object onstage, you must look at how you react to it, without using many adjectives...
...yeah, I know!

Generally, if you eat a lemon, you would say it is 'sour' or 'bitter', but this wouldn't be a entirely phenomenological approach. You could say, however, how you reacted to the tasting of the lemon, even if you just make a noise. The next challenge is to transform this reaction into language, as close as you possibly can to the real reaction. Avoid using adjectives as these are only signifiers to your emotions or reactions, rather than the correct way to describe this. 

If you are to write about an object and your phenomenological approach to it, you would describe how you felt around it, what it feels like in weight, texture, the smell of it, the taste of it, everything to do with your senses that you instinctively react with. 

There is no right or wrong answer to your own phenomenological approach and this makes it difficult to be of use to other people around you that read your phenomenological analysis of a performance, however, it is very useful in conjunction with other analytical approaches. Finding how you react to something, then getting into the nitty gritty of what this means and the semiotic approach to it is a far more effective way of analysing a performance. Nevertheless, you shouldn't dismiss phenomenology, but don't get too bogged down into the meaning of it.

I could go on and on about how to write about the phenomenological approach to something, but I find that all research on phenomenology is very repetitive. In a sentence, phenomenology is the build up to a very effective analysis of a performance, and can be used in conjunction with other analytical approaches.

I know this is a very hard subject, and it can relate to many other industries and subjects of interest, but it is very hard to discuss this without over-complicating. If you have any questions at all, please leave a comment, email me at sophiimaria@gmail.com or tweet me (@SophiiMaria), and I will try to answer your question as much as I can; after all I am here to help you understand! If you have any examples of this, please leave a comment or if you just want to say hi! again, please leave a comment. 

:D

Monday, 5 December 2011

Phenomenology (pt.1)

Until recently, I thought phenomenology was more complicated than it actually is! Rather than being an analytical approach to find the meaning of a certain object on stage, like semiotics, or an approach that digs into the extraordinary circumstances of a play (like the themes, techniques or approaches to the making of a production), it is simply a way of analysing what is in front of you and how you experience it. 

Phenomenology looks at "the world as it is lived rather than as it is objectified, abstracted and conceptualized." (Stanton B. Garner, 1994) This means if you are looking at an object onstage, you look at the way you experience it, don't try and find a meaning to it! If the object is an apple, analyse what the apple looks like, feels like, tastes like, etc. instead of finding the hidden meaning like the forbidden fruit, for example. 

It would seem that semiotics and phenomenology would go hand in hand and yes, you're right. You can successfully analyse a performance using the analytical approaches of phenomenology and semiotics because you are analysing the object and what it means to you in the way you experience it and the meaning behind the use of this object (or lighting design/scenery/performance style etc.).

I know this is a very simple way of looking at phenomenology, but I wanted to guide you in before I go all guns blazing into this topic so have a look out for the second part of this blog next week!

Also, coming soon will be a Glossary page for all those words you don't quite understand! This will be an ongoing page that will update frequently as I discuss more and more topics! :D

Finally, if you have any ideas/theories/approaches/techniques/gossip/music releases etc. that you want me to cover, email me at sophiimaria@gmail.com, tweet me at @SophiiMaria or comment on any of my blogs. I will happily research into anything you want me to cover on the entertainment industry!

:D